![]() Please let me know prices on the following: I am collecting DLM and would be interested in the issues that I am missing. 245 Noguchi: granits, basaltes, obsidiennes 233 Alberto Giacometti': Les murs de l'atelier et de la chambre 219 Rebeyrolle: natures mortes et pouvoir 200 Tàpies: objets et grands formats 1973 193–194 Miró: peintures sur papiers, dessins ![]() 169 Aquarelles, album femmes, Hai-ku 1968 164–165 Miró: l'oiseau solaire, l'oiseau lunaire, étincelles 154 Kandinsky: Bauhaus de Dessau 1927–1933 148 La Fondation Marguerite et Aimé Maeght à St.Paul 138 Georges Braque: Papiers collés 1912–1914 123 Miró: Céramiques Murales pour Harvard 41 Tendance: Germain-Kelly-Palazuelo-S.Poliakoff Comprehensive list of Derrière le Miroir issues: 1946–1947 If you are looking for a particular lithograph that you don’t see on our website, please contact us at, and follow us on instagram to keep in touch and see what’s new. We are constantly adding more of the collection to our website. We were fortunate to have the opportunity to purchase a large collection that included every issue from the 1960's and 70's as well as other issues and several duplicates. The two-page lithographs also fit nicely into standard size frames.īelow is a comprehensive list of all of the issues of Derrière le Miroir. ![]() One nice thing about these lithographs is that the sizes of the one-page lithographs look perfect in a standard size 16 x 20 inch frame when a mat is professionally cut, so new collectors can spend very little money on framing and more on growing a collection. These creases do not negatively impact value, however any other creases or damage should be considered. The double size lithographs (22 x 15 inches) will have a single crease down the center of the lithograph, and the triple size lithos (33 x15) will have two creases where the lithographs were folded to fit into the publication. The images are very high quality and is always printed on paper that is 11 x 15 inches, 22 x 15 inches, or 33 x 15 inches. They are generally less expensive than signed numbered prints by the same artists, and provide a great opportunity for new collectors to own high quality original lithographs that will maintain their value over time.Īuthenticity of Derrière le Miroir lithographs is relatively easy to determine. These lithographs have become highly collectible. The prints are unsigned and unnumbered because the artist authorized the printing by Maeght Gallery rather than printing the lithographs themselves. The publication featured artists exhibited by Maeght Gallery including many of the most significant artists of the 20th century: Miro, Calder, Kandinsky, Chagall, Giacometti, Leger, Kelly, etc.Įach issue of Derrière le Miroir included exceptionally high quality loose leaf original lithographs (a few issues also had original etchings or woodblock prints) created by the artists for the publication. Following World War II he created the publication as a way to make the work of important modern artists affordable and accessible to a wide audience. Aimé Maeght was a prominent gallery owner and lithographer in Paris and Barcelona. Derrière le Miroir - “Behind the Mirror” was a French art and literary journal published from 1946 through 1982.
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